"Newsletter" Aerolatino-Geba
(Aerolatino y todas las Danzas que se practican en Geba)
exclusiva para suscriptores, mié 20 febrero 2008
Reciben esta Newsletter 637 suscriptores

IN THE HEIGHTS
IN THE HEIGHTS

Richard Rodgers Theatre, 226 West 46th St., NYC
(Between Broadway & 8th Avenue)
PERFORMANCE SCHEDULE:
Tue-Sat at 8pm, Sat & Sun at 2pm, Sun at 7pm;
Starting March 5, select Wed matinees at 2pm (please inquire)

Performances begin February 14
Opening Night: March 9
intheheightsthemusical.com
Video: 00:25

Miguel Ángel Zotto at the Peacock Theatre, London

Portrait of the artist: Miguel Angel Zotto, tango dancer

'The man must always treat his partner with respect'

Interview by Laura Barnett
Tuesday February 19, 2008
The Guardian

guardian.co.uk/stage/2008/feb/19/dance

[Photograph: Linda Nylind]
Fix sharp ... Miguel Angel Zotto at the Peacock theatre.
Photograph: Linda Nylind
Fix sharp ... Miguel Angel Zotto at the Peacock theatre. [fuente]
guardian.co.uk/stage/2008/feb/19/dance

What got you started?
Seeing a live tango orchestra for the first time when I was 17. I had grown up with tango - my grandfather was among the first tango dancers in Buenos Aires in the early 1900s - but in the 1970s it didn't seem relevant to young people. That concert changed my mind.

What was your big breakthrough?
Landing the main part in the show Tango Argentino on Broadway in 1985. It got me noticed, and gave me the skills and confidence to form my own company.

What song would feature on the soundtrack to your life?
All You Need Is Love by the Beatles. I used to slow-dance to it when I was 15. I didn't understand the lyrics, but I got the point.

Can the Brits dance tango?
Yes, some of you dance very well. Argentine tango was created by immigrants in Buenos Aires dancehalls. It's open to any culture.

Are you fashionable?
Dressing well is very important in tango. But it's about looking classic rather than modern - it's a very formal dance.

Who or what have you sacrificed for your art?
My relationship with my former dance partner. We broke up in 1995 after 10 years together. Tango is my life.

What work of art would you most like to own?
Michelangelo's David. He was a visionary, completely dedicated to his art; I'd keep the statue in my bedroom to remind me of that.

Do you suffer for your art?
Yes - like any artist, I put my art before money. I plan my shows around what will work artistically, not thinking about whether the sums will add up. Very often, they don't.

What's your favourite film?
The Godfather. I can relate to it as a story of immigrants: my own family came to Argentina from Italy. And Al Pacino is a brilliantly intense actor.

What's the greatest threat to tango today?
There is none. It's incredibly popular today, and will remain so, because there is nothing more sensual in the world.

What advice would you give a young tango dancer starting out?
Follow the dance's traditional codes of behaviour. The man must always treat his partner with respect - and when he asks a woman to dance, he mustn't get angry if she turns him down.

In short
Born: Buenos Aires, 1958
Career: Began studying tango aged 17. Starred in the hit Broadway show Tango Argentino in 1985, and formed his own company, Tango Por Dos, in 1988. Performs in Buenos Aires Tango at the Peacock Theatre, London (0844 412 4322), until Sunday.
High point: "It hasn't come yet."
Low point: "Dealing with Argentina's economic crisis in 2001. I lost a lot of money."

Links:

Tango Por Dos: Miguel Angel Zotto's Buenos Aires Tango, Peacock theatre, Portugal St. WC2, Holbom, 29 Jan 2008 - 23 Feb 2009
Tango Por Dos: Miguel Angel Zotto's Buenos Aires Tango, Peacock theatre, Portugal St. WC2, Holbom, 29 Jan 2008 - 23 Feb 2009 [fuente]
sadlerswells.com/show/Tango-Por-Dos-08.htm

sadlerswells.com/show/Tango-Por-Dos-08.htm

Jazz Manouche. Samarabalouf. Le Nouvel Album: Bababa

LEXPRESS.fr du 04/02/2008 Notre Guide Musique

Bababa

Samarabalouf

Eric Libiot

Samarabalouf
Bababa (f2fmusic).
Samarabalouf
Bababa (f2fmusic). [fuente]
samarabalouf.com

D 'abord une explication de mot: Samarabalouf, nom du formidable groupe dont il est question ici, est formé de Samara - la Somme, en latin - et de balouf, bal fou en verlan. Mais quand on a écrit ça, on n'a pas écrit grand-chose. Alors il faut écouter ce quatrième album d'un trio de jazz manouche (deux guitares, une contrebasse) qui, à force d'envies de voyages, est allé chercher son inspiration du côté du tango, du flamenco ou de la valse. Conduit par François Petit, corde pensante et compositeur, Bababa (qui signifie Bababa) enchaîne les morceaux de swing avec une énergie folle et y colle quelques voix venues d'amis de passage: Nosfell, Ange B (des Fabulous Trobadors) ou Leïla Bounous. Musicalement - l'essentiel des titres - Samarabalouf ne se contente jamais d'aligner les notes - ce qu'il sait faire très bien - mais s'amuse en des digressions qui jouent la rupture pour exciter les oreilles. Du coup, Bababa s'invente à chaque morceau en une multitude de surprises euphorisantes.

lexpress.fr/mag/arts/dossier/c ... ues/dossier.asp

Links:

Bababa (f2fmusic).
samarabalouf.com
A L'Européen, Paris (XVIIe). Et en tournée

Para escuchar
Babababa: 00:40
Les Jours quón aime: 00:53
L'Etoile au Sahara: 00:47
samarabalouf.fr/player-bababa/player.php

New York City Ballet

The New York Sun, 19 February 2008
DA N C E

Balanchine’s Overstuffed One-Act

By Joel loBenthal

[PAUL KOLNIK]
A TEST OF TEMPI Ashley Bouder and Andrew Veyette in ‘Raymonda Variations.’
PAUL KOLNIK
A TEST OF TEMPI Ashley Bouder and Andrew Veyette in ‘Raymonda Variations.’ [fuente]

During his career, George Balanchine made a number of abstract one-act ballets using music from 19th-century composers, often written originally to accompany three-act ballets of narrative and spectacle. A frequently repeated tenet of the Balanchine aesthetic is that his doing so distilled the true essence of the fullscale work. Nothing could less support this axiom than Balanchine’s “Raymonda Variations,” which opened New York City Ballet’s Matters of the Heart program last week.

There is virtually no connection between Balanchine’s version and the original 1898 ballet choreographed by Petipa. Balanchine’s “Raymonda Variations” is something entirely apart. In this suite of dances, drawn from Glazunov’s score, Balanchine takes a highly subjective approach to the music. Everything here bustles along at a clipped pace that is closer to modern inclinations than to Imperial ballet. Balanchine’s creativity is as impressive as ever, but his “Raymonda Variations” can seem over-crowded, over-accented, over-syncopated within the phrase and in relation to the music.

...

daily.nysun.com/Daily/Skins/NY ... n/navigator.asp Page 13

15 Solutions Anti-Fatigue

martes, 19 de febrero de 2008 02:22
19/02/2008 - La lettre d'info du figaro

Le Figaro. Fr

Une petite baisse de régime ? Abordez le printemps dans les starting-blocks

madame.lefigaro.fr/beaute/en-k ... ns-anti-fatigue

On World-Class Choreographers Specializing in Ballet

The New York Times, February 17, 2008

Master Builders of Ballet’s Future

By ALASTAIR MACAULAY

[New York City Ballet Archives]
Jerome Robbins rehearsing “The Concert” (1956) with members of the New York City Ballet, where his legacy remains strong.
New York City Ballet Archives
Jerome Robbins rehearsing “The Concert” (1956) with members of the New York City Ballet, where his legacy remains strong. [fuente]
nytimes.com/2008/02/17/arts/dance/17maca.html

[Martha Swope]
George Balanchine in 1958, when he was ballet master in chief of the New York City Ballet, working with Maria Tallchief.
Martha Swope
George Balanchine in 1958, when he was ballet master in chief of the New York City Ballet, working with Maria Tallchief. [fuente]
nytimes.com/2008/02/17/arts/dance/17maca.html

BY the end of the last century ballet was looking more like a museum art than it had in more than 400 years. With the deaths of George Balanchine, Antony Tudor, Frederick Ashton, Kenneth MacMillan and Jerome Robbins, the ranks of world-class choreographers specializing in ballet looked thin or just empty. The three biggest names creating new ballets were Twyla Tharp, William Forsythe and Mark Morris: each, by ballet standards, in some way controversial and offbeat.

But the new millennium has brought to the fore two young men who are full-time exponents of ballet as an art both traditional and new: Christopher Wheeldon, the Anglo-American who has been resident choreographer at New York City Ballet since 2001 but is giving up the post this month, and Alexei Ratmansky, the Russian who announced just weeks ago that he was leaving the artistic directorship of the Bolshoi Ballet in Moscow to focus on choreography.

...

nytimes.com/2008/02/17/arts/dance/17maca.html

Multimedia

Slideshow: New Faces, Familiar Works
Slideshow: New Faces, Familiar Works
nytimes.com/slideshow/2005/07/ ... LIDESHOW_1.html

Broadway. Weekly News Roundup

domingo, 17 de febrero de 2008 13:01
BroadwayWorld Weekly Newsletter 2/17

Broadwaynews

imagen

Weekly News Roundup February 17, 2008
BroadwayWorld.com

imagen

Disney Gives Good Book!

imagen

'Shrek' to Open Dec.14 at Broadway Theatre with Foster, Sieber & Lewis-Evans

by BWW News Desk

Shrek The Musical will open December 14 at the Broadway Theatre, after beginning previews on November 8, to star Sutton Foster, Christopher Sieber and Kecia Lewis-Evans.

imagen

Photo Flash: 'Legally Blonde' Madame Alexander Dolls
by BWW

Madame Alexander is proud to introduce two Elle dolls based on Broadway's Legally Blonde: The Musical.

imagen

Broadway Grosses: Week Ending 2/10/2008
by BWW News Desk

Grosses for all the Broadway shows for the week ending 2/10/2008

Retratos de Vanity Fair

el Periódico Galerías Fotográficas, 16/02/08

Casi un siglo de retratos. La exhibición ‘Retratos de Vanity Fair' reúne 150 imágenes clásicas de esta revista en la National Portrait Gallery de Londres

staging.elperiodico.com/galeri ... &idgaleria=1043

Book: Pictures at a Revolution

viernes, 15 de febrero de 2008 15:47
Books Update: 'The Last Flight of the Scarlet Macaw,' by Bruce Barcott

Daily_Headlines

Books Update February 15, 2008
'Pictures at a Revolution'

Five Movies and the Birth of the New Hollywood.

By MARK HARRIS
Illustrated. 490 pp. The Penguin Press. $27.95.
Reviewed by JIM SHEPARD
In 1967, five very different films captured a pivotal shift in Hollywood (and America).

nytimes.com/2008/02/17/books/r ... /Shepard-t.html

[Robert Willoughby/Embassy Pictures, via Associated Press]
Dustin Hoffman and the stockinged leg of Anne Bancroft, from “The Graduate,” 1967.
Robert Willoughby/Embassy Pictures, via Associated Press
Dustin Hoffman and the stockinged leg of Anne Bancroft, from “The Graduate,” 1967. [fuente]
nytimes.com/2008/02/17/books/r ... /Shepard-t.html

Sesame Street Live at the Madison Square Garden

viernes, 15 de febrero de 2008 15:56
Special Offer for Sesame Street Live - Buy One, Get One!

Wamu Theater At Msg Insider

Sesame Street Live
"Ready For Action"
[TM/© 2008 Sesame Workshop. All rights reserved]
Sesame Street Live
"Ready For Action"
TM/© 2008 Sesame Workshop. All rights reserved [fuente]
msgnyc.com/viewmsg.cfm?n35043s ... 8c19810091t6724

Sesame Street Live "Ready For Action"

WaMu Theater at Madison Square Garden
Now through February 18 • 8 Shows Remaining!

BUY ONE, GET ONE FREE
Use Code: ELMO

Act now for this special offer for Sesame Street Live "Ready for Action" buy one, get one free!

When Super Grover loses his superness, Sesame Street needs a hero! Never fear, your favorite Sesame Muppet friends are here. Get set to join The Fabulous Five, a new team of Sesame heroes, as they work to put the "super" back in Super Grover. Teaching lessons of healthy habits through song and dance, your favorite Sesame Street friends will explore exercise, nutrition, sleep/energy and hygiene – all in a quest to get Super Grover ready for action.

Each performance is 90 minutes of singing, dancing and audience participation, including a 15-minute intermission. The perfect length for very young children!

Don't miss Sesame Street Live "Ready for Action" – buy one regularly priced ticket and get one free when you purchase your tickets today!

msgnyc.com/viewmsg.cfm?n35043s ... 8c19810091t6724

Secrets of a Soccer Mom at Snapple Theater Center, NYC

viernes, 15 de febrero de 2008 09:24
Save 40% on "Secrets of a Soccer Mom" with Playbill

Playbill Club Manager

In the critically acclaimed "Secrets of a Soccer Mom”, three women leave their traditional spot on the sidelines to play in the annual mother-son soccer game. This ordinary day becomes extraordinary as the competition ignites their fierce desire to recapture their spirit, humor and passion.
In the critically acclaimed "Secrets of a Soccer Mom”, three women leave their traditional spot on the sidelines to play in the annual mother-son soccer game. This ordinary day becomes extraordinary as the competition ignites their fierce desire to recapture their spirit, humor and passion. [fuente]
secretsofasoccermom.com

$39 TICKETS FOR PERFORMANCES
NOW THROUGH APRIL 13.
Visit Ticketmaster.com or call (212)307-4100 and use code PLAY22
or print this offer and bring it to the box office.
Visit SecretsofaSoccerMom.com for full perf. schedule.
SPECIAL 11AM WEEKDAY PERFORMANCES
SNAPPLE THEATER CENTER, 210 West 50th St. at Broadway

In The Heights A New Musical

jueves, 14 de febrero de 2008 11:47
In the Heights Newsletter

In The Heights

HAPPY VALENTINE'S DAY!
FIRST PERFORMANCE TONIGHT

TONIGHT'S THE NIGHT

In The Heights begins previews tonight at Broadway's Richard Rodgers Theatre!
Great tickets are still available throughout previews.
Opening Night is March 9th.

ticketmaster.com/artist/108913 ... FC_NED_ITH_SITE

Legally Blonde The Musical at the Palace Theatre, NYC

jueves, 14 de febrero de 2008 09:06
Save over $50 on "Legally Blonde" with Playbill

Playbill Club Manager

BROADWAY'S COOLEST SHOW.
WINTER'S HOTTEST OFFER.
Musical comedy is in session at the Palace Theatre, where everyone’s favorite heroine is strutting her stuff, singing her heart out and taking the world by storm – in style!
SAVE OVER $50
ORDER NOW!
Valid for performances
2/18/08 through 4/13/08
$67.50
Wed. at 2 & 8, Thurs. at 8,
Fri. at 8, Sat. at 2, Sun. at 2 & 7

Visit Ticketmaster.com or call 212-307-4100 and use code "PBILL5"
or bring this offer to Palace Theatre box office, Broadway at 47th St.
legallyblondethemusical.com

Legally Blonde
The Musical

De Dios Editores Newsletter Feb/08

miércoles, 13 de febrero de 2008 14:19
Newsletter de Dios Editores

Newsletter de Dios Editores

De Dios Editores Newsletter Feb/08
De Dios Editores Newsletter Feb/08
dediosonline.com/newsletter/05

...

BUENOS AIRES

imagen

Los amantes de la Gran Manzana podrán regocijarse con la muestra fotográfica “Landmarks of New York” sin salir de nuestra ciudad. Una exposición con alrededor de 80 fotografías que muestran el generoso patrimonio cultural de NYC. Además cada imagen está acompañada por una explicación detallada de su significación arquitectónica, cultural e histórica.

Del 4 al 29 de febrero. Entrada libre y gratuita. En El Faena Hotel + Universe. Martha Salotti 445 - Puerto Madero.

El Carnaval de los Barrios de Santiago, República Dominicana

miércoles, 13 de febrero de 2008 09:51
Tarde de Carnaval

Centroleon. Org. Do

El Carnaval de los Barrios de Santiago, República Dominicana
El Carnaval de los Barrios de Santiago, República Dominicana

Avenue Q at the Golden Theatre, NYC

martes, 12 de febrero de 2008 09:22
Snow BIG DEAL: $56.50 for "Avenue Q" Orchestra Seats

Playbill Club Manager

Avenue Q at the Golden Theatre, NYC
Avenue Q at the Golden Theatre, NYC
avenueq.com

3 ways to buy:

CLICK HERE or visit broadwayoffers.com and enter code AQPBLL2.

Call Telecharge.com at 212-947-8844 and mention code AQPBLL2.

Print this offer and bring it to the Golden Theatre box office, 252 W. 45th St., NYC. Box Office hours: Mon - Sat, 10am - 8pm; Sun, Noon - 7pm

For everything Q, visit AVENUEQ.COM

Défilé Christian Lacroix P-A-P, Printemps-été, 2008, Prêt-à-porter

CHRISTIAN LACROIX P-A-P • PRINTEMPS-ÉTÉ 2008

madame.lefigaro.fr/mode/defile ... roix/collection

CHRISTIAN LACROIX P-A-P • PRINTEMPS-ÉTÉ 2008

Link: christianlacroix.com.ar/2008ver/index.html

Vintage Film Poster

Links:

The New York Times, 12feb2008, DVD Lubitsch Musicals: nytimes.com/2008/02/12/movies/ ... deo/12dvds.html
The Love Parade (1929): imdb.com/title/tt0020112
Ernst Lubitsch, Director, (1892-1947): imdb.com/name/nm0523932
Guy Bolton, Writer, (1884-1979): imdb.com/name/nm0093397
Jules Chance, Play, (1867-1944): imdb.com/name/nm0093397
Maurice Chevallier, Count Alfred Renard, (1888-1972): imdb.com/name/nm0002001
Jeanette MacDonald, Queen Louise, (1903-1965): imdb.com/name/nm0531776

The Love Parade http://www.imdb.com/name/nm0523932/ Maurice Chevalier c. 1932 Jeanette MacDonald, circa 1936.
[Photo by Ted Allan – © 1978 Ted Allan – Image courtesy mptvimages.com]

  1. The Love Parade: zombiepolitics.blogspot.com/20 ... 01_archive.html
  2. http://www.imdb.com/name/nm0523932/: imdb.com/media/rm1318688768/nm0523932
  3. Maurice Chevalier c. 1932: imdb.com/media/rm1698732032/nm0002001
  4. Jeanette MacDonald, circa 1936.
    [Photo by Ted Allan – © 1978 Ted Allan – Image courtesy mptvimages.com]: imdb.com/media/rm428054528/nm0531776

El Logotipo de Hoy

Défilé Christian Lacroix P-A-P, Printemps-été, 2008, Prêt-à-porter [Alain Aubert]
Défilé Christian Lacroix P-A-P, Printemps-été, 2008, Prêt-à-porter Alain Aubert [fuente]
madame.lefigaro.fr/mode/defile ... ristian-lacroix

Défilé Christian Lacroix P-A-P, Printemps-été, 2008, Prêt-à-porter [Alain Aubert]
Défilé Christian Lacroix P-A-P, Printemps-été, 2008, Prêt-à-porter Alain Aubert [fuente]
madame.lefigaro.fr/mode/defile ... ristian-lacroix

Défilé Christian Lacroix P-A-P, Printemps-été, 2008, Prêt-à-porter [Alain Aubert]
Défilé Christian Lacroix P-A-P, Printemps-été, 2008, Prêt-à-porter Alain Aubert [fuente]
madame.lefigaro.fr/mode/defile ... ristian-lacroix

Défilé Christian Lacroix P-A-P, Printemps-été, 2008, Prêt-à-porter [Alain Aubert]
Défilé Christian Lacroix P-A-P, Printemps-été, 2008, Prêt-à-porter Alain Aubert [fuente]
madame.lefigaro.fr/mode/defile ... ristian-lacroix

IN THE HEIGHTS
A new Musical Wallpaper
IN THE HEIGHTS
A new Musical Wallpaper
intheheightsthemusical.com/images/dl_wp2.jpg

Coplita

Atención pide el moreno
que la viene a pretender,
él la pretende como hombre,
respuenda como mujer.

Fuente:
Jorge M. Furt
Cancionero Popular Rioplatense: Lírica Gauchesca Tomo II
Alicante : Biblioteca Virtual Miguel de Cervantes, 2003
Edición digital basada en la de Buenos Aires, Imprenta y Casa Editora "Coni", 1925.
cervantesvirtual.com/servlet/S ... 91/p0000006.htm
[1948 (Santiago del Estero).]

Imágenes de Salida

National Gallery of Art, 4th and Constitution Avenue NW, Washington, D.C.

Henri de Toulouse-Lautrec
French, 1864 - 1901
Lady with a Dog, 1891
oil on cardboard, 75 x 57.2 cm (29 1/2 x 22 1/2 in.)
Gift of the W. Averell Harriman Foundation in memory of Marie N. Harriman
1972.9.22
Henri de Toulouse-Lautrec
French, 1864 - 1901
Lady with a Dog, 1891
oil on cardboard, 75 x 57.2 cm (29 1/2 x 22 1/2 in.)
Gift of the W. Averell Harriman Foundation in memory of Marie N. Harriman
1972.9.22 [fuente]
nga.gov/cgi-bin/pinfo?Object=52856+0+none

Arte al Dia Internacional, 14 de Junio de 2007 Newsletter semanal artealdia.com
EL SITIO RECOMENDADO antoniaguzman.com.ar/index.htm

Antonia Guzmán
Arrived Together
2006
30 x 39 inches
painting, acrylic on canvas
Antonia Guzmán
Arrived Together
2006
30 x 39 inches
painting, acrylic on canvas

Links:
mountainshadowgallery.net/cont ... /view/28/46/1/1
naomisilvagallery.com/Antonia_ ... uzman/index.htm
Exposiciones Personales: Desde el 2 de Febrero en Mountain Shadow Gallery de Tucson, Arizona y, desde el 15 del mismo mes en Naomi Silva Gallery de Atlanta.

Christie's New York , 23 de Octubre de 2007, Christie's Prints & Multiples - October 30-31, New York

JOAN MIRO
Quatre colors aparien el món: One Plate (D. 824; see C. books 213)
etching and aquatint in colors, 1975, on Arches, signed in pencil, annotated 'H.C.' (the edition was 50 in Arabic numerals plus 15 in Roman numerals), the full sheet (printed to three sides), surface soiling, a few nicks at the sheet edges, affixed to the support in places along the reverse of the sheet edges, otherwise in good condition, framed
S. 35¾ x 25 in. (908 x 635 mm.)
JOAN MIRO
Quatre colors aparien el món: One Plate (D. 824; see C. books 213)
etching and aquatint in colors, 1975, on Arches, signed in pencil, annotated 'H.C.' (the edition was 50 in Arabic numerals plus 15 in Roman numerals), the full sheet (printed to three sides), surface soiling, a few nicks at the sheet edges, affixed to the support in places along the reverse of the sheet edges, otherwise in good condition, framed
S. 35¾ x 25 in. (908 x 635 mm.) [fuente]
christies.com/LotFinder/lot_de ... bjectID=4986594

Price Realized
$20,000
Estimate
$15,000 - $20,000
Sale Information
Sale 1897
Prints And Multiples
30 - 31 October 2007
New York, Rockefeller Plaza

Arte al Dia Internacional, 15 de Noviembre de 2007 Newsletter semanal artealdia.com
EL SITIO RECOMENDADO pablodimasso.com.ar

Pablo Di Masso
Cantautor
2006
21 x 30 cm
Pablo Di Masso
Cantautor
2006
21 x 30 cm
pablodimasso.com.ar

THE NEW YORK SUN, 14 FEBRUARY 2008

[METROPOLITAN MUSEUM OF ART]
Nicolas Poussin (1594-1665), ‘Landscape with a Calm’ (undated).
METROPOLITAN MUSEUM OF ART
Nicolas Poussin (1594-1665), ‘Landscape with a Calm’ (undated). [fuente]

THE NEW YORK SUN, 14 FEBRUARY 2008

[MUSEUM OF THE CITY OF NEW YORK]
Yvonne Jacquette, ‘Chrysler Building Composite at Dusk’ (1997).
MUSEUM OF THE CITY OF NEW YORK
Yvonne Jacquette, ‘Chrysler Building Composite at Dusk’ (1997). [fuente]

THE NEW YORK SUN, 19 FEBRUARY 2008

[HEUICHULKIM]
GOING UP Artist Jim Lambie’s ‘Zobop’ (2006) is installed yesterday at the Museum of Modern Art for the upcoming exhibit ‘Color Chart: Reinventing Color, 1950 to Today.’ The exhibit, which opens March 2, will explore the impact of mass-produced color on contemporary art.
HEUICHULKIM
GOING UP Artist Jim Lambie’s ‘Zobop’ (2006) is installed yesterday at the Museum of Modern Art for the upcoming exhibit ‘Color Chart: Reinventing Color, 1950 to Today.’ The exhibit, which opens March 2, will explore the impact of mass-produced color on contemporary art. [fuente]

TheatreDance.comChau!, nos vemos en Geba !