"Newsletter" Aerolatino-Geba
(Aerolatino y todas las Danzas que se practican en Geba)
exclusiva para suscriptores, mié 08 octubre 2008
Reciben esta Newsletter 493 suscriptores

[Photograph: PR]<br>The Trocks are known for their glamorously camp and brilliantly witty dance shows
[Photograph: PR]
The Trocks are known for their glamorously camp and brilliantly witty dance shows

Les Ballets Trockadero de Monte Carlo are at the Peacock theatre, September 16 to October 4 2008
October/December 2008 On Tour: Spain, UK, Greece, New York
2009: USA, Canada, UK, France, Japan, Russia, Australia, New Zealand
trockadero.org

12 de Octubre 2008, Un Domingo Especial ! (Carlos Calatrava)

lunes, 06 de octubre de 2008 15:12
Un domingo especial!

Charly Calatrava

Hola bailaores!

Este domingo todo es por dos Mamá!!!
A las 15.30 Clase de ritmos con invitados de lujo y después de modo marathónico enganchamos con la clase de ritmos de todos los domingos.
Los esperamos!
Un enorme abrazo de Charly Calatrava

¡ Por supuesto Charly, A Bailar Todos de Ritmos !

Sol Ritmo y Fotos
Clase de Aerolatino con el Profesor Carlos (Charly) Calatrava el domingo 6 de abril 2008 [Foto Cristina Rivera para la Newsletter Aerolatino de Geba]
Sol Ritmo y Fotos
Clase de Aerolatino con el Profesor Carlos (Charly) Calatrava el domingo 6 de abril 2008 Foto Cristina Rivera para la Newsletter Aerolatino de Geba

Master Class 12/10/08 (Walter Herrera)

lunes, 06 de octubre de 2008 14:32
Master Class 12/10/08

Walter Herrera

Augusto:
Los invitamos a todos a participar de una jornada "A todo Ritmo" , el pròximo Domingo 12 de Octubre a las 15:30 hs. en la terracita del Salòn Social de la Sede San Martin , profes invitados Rodrigo y Dany Ibañez y a las 16:30 hs a todo Charly.Los esperamos !!!

Saludos.

Walter Herrera.

¿ Domingo 12 de Octubre ? ¡ Allí estaremos Walter ! ( ¡ Con sonrisas, alegría y el ritmo puesto ! )

Día de la Primavera Terracita Geba 21sep2008, [Foto Pablo Bottinelli]
Día de la Primavera Terracita Geba 21sep2008, Foto Pablo Bottinelli

Madonna on Tour

The New York Times, October 6, 2008
Music Review | Madonna

Aerobic, Not Erotic: The Concert as Workout

[Chang W. Lee/The New York Times]
Madonna performed at the Izod Center in East Rutherford, N.J., on Saturday.
Chang W. Lee/The New York Times
Madonna performed at the Izod Center in East Rutherford, N.J., on Saturday. [fuente]
nytimes.com/2008/10/06/arts/music/06mado.html

By JON PARELES

[Chang W. Lee/The New York Times]
Madonna performed at the Izod Center on Saturday night
Chang W. Lee/The New York Times
Madonna performed at the Izod Center on Saturday night [fuente]
nytimes.com/slideshow/2008/10/ ... SHOW_index.html

EAST RUTHERFORD, N.J. — “Tick-tock, tick-tock,” Madonna’s backup singers sang as video screens and subwoofers blasted to life at the Izod Center. Time obsesses Madonna on her Sticky and Sweet Tour, which made its first American stop here on Saturday.

Time means beat and rhythm, and it means the pop history encapsulated in the hits Madonna has been making since 1982. It also means the aging that she defies with workouts, image makeovers and what looks like plastic surgery. At 50, Madonna can no longer be seen as a clubland ingénue, a Hollywood glamour queen, an iconoclast rejecting a Roman Catholic upbringing or a kinky provocateur, and she won’t be any kind of dowager yet. Time has brought out her core: careerist ambition and a combative tenacity.

Has there ever been a colder pop sex symbol? For all the invitations in her lyrics, Madonna has always projected more calculation and industriousness than affection. She works; her audience looks and pays, becoming another conquest.

“I can keep on going through the night,” she insisted in “Heartbeat,” from her latest album, “Hard Candy” (Warner Brothers), which provided nearly half the concert’s songs. That was the point: There she was, 50 be damned, strutting, pushing her dancers around, even doing double-Dutch jump-rope steps without a tangle.

Madonna built her stardom on her assets — her ear for hooks and beats, her looks, a predictive fashion sense and an instinct for pushing cultural hot buttons — and the Sticky and Sweet show insists, even demands, that they still have their effect.

She pumps up the volume, piles on the beat and mixes the unstoppable and the baffling, the thrilling and the ridiculous. The set had four thematic sections: the present-day dance floor, the old school, the big wide world, and political and spiritual aspirations (via the dance floor). For thumping electro songs from “Hard Candy” she had the album’s hip-hop guests — Kanye West, and Pharrell Williams — performing on towering video screens, sharing the proudly mercantile sentiments of songs like “Candy Shop.”

The old-school section, with a backdrop of animated characters invented by the artist Keith Haring, riffled through original elements of hip-hop culture — break dancing, D.J. scratching, double Dutch and graffiti — along with (inexplicably) some pole dancing. Since punk and hip-hop were contemporaries, Madonna also picked up an electric guitar for an enthusiastic punk-pop version of “Borderline.” Her moves were aerobic, not erotic; in one song, other dancers spotted her as if they were personal trainers.

Then came a high-fashion, geographically scrambled international romp, as dancers did flamenco, tango, Indian and Middle Eastern moves. The Spanish-language “La Isla Bonita” moved to Eastern Europe as Madonna brought out a Gypsy-style band, with fiddle and accordion. It accompanied her in the one song that exposed her voice: the ballad “You Must Love Me,” with woeful sustained notes.

Madonna turned to messages: a save-the-world video that torpedoed its good intentions with overkill, juxtaposing John McCain with Hitler and Barack Obama with Gandhi. Although her outfit and a mop-with-bangs wig made her look like a bad 1970s comic-book character, Madonna was close to inspirational in an electrocharged version of “Like a Prayer,” with golden-rule religious teachings projected overhead. She followed it awkwardly, with guitar-slinging rock versions of “Ray of Light” and, returning to earthly things, “Hung Up,” with a feedback finish. She wants punk’s old rebel credibility.

“No one is ever going to stop me,” Madonna proclaimed in her finale, “Give It 2 Me.” But as the show ended, the last glimpse of Madonna was a video close-up of her sweaty, unsmiling, exhausted face. She had worked hard, and showed it.

Madonna performs on Monday, Tuesday, Saturday and Sunday at Madison Square Garden.

nytimes.com/2008/10/06/arts/music/06mado.html

Multimedia

Slide Show
Beats and Hot Buttons

Related
Times Topics: Madonna

[Chang W. Lee/The New York Times]
Madonna performed at the Izod Center in East Rutherford, N.J., on Saturday. [Chang W. Lee/The New York Times]
Madonna performed at the Izod Center on Saturday night Madonna's Sticky and Sweet Tour made its first American stop at the Izod Center in East Rutherford, N.J., on Saturday night.
[Photo: Chang W. Lee/The New York Times] [Photo: Chang W. Lee/The New York Times] [Photo: Chang W. Lee/The New York Times] [Photo: Chang W. Lee/The New York Times] [Photo: Chang W. Lee/The New York Times]

Octubre en el Consejo (Susana Santorsola)

Comisión de Cultura viernes, 03 de octubre de 2008 13:54
Actividades culturales mes de octubre

Susana Santórsola

De acuerdo con lo conversado con la Dra. Susana Santorsola, le detallo para su difusión, las actividades que se realizarán en el Consejo Profesional de Ciencias Económicas de la Ciudad Autónoma de Buenos Aires en el mes de octubre:

Viernes 3 de octubre - 19:00 hs.
Goya y la visión totalizadora de la realidad
Conferencia
A cargo de la Lic. M. Beatriz Arévalo

Viernes 10 de octubre - 19:00 hs.
Ópera de Mar del Plata
Recital Lírico “Todas las lenguas, toda la música”

Director General: María Antonieta Guerra
Director Artístico: Alejandro Atias

Viernes 17 de octubre - 19:00 hs.
Coro del Consejo y Charla de apreciación musical a cargo de su director Mtro. Javier Pautasso
Espectáculo musical

Viernes 24 de octubre - 19:00 hs.
Recital de guitarra a cargo de Esteban González Carbone
De España a Argentina.

Un viaje a través de las seis cuerdas.

Viernes 31 de octubre - 19:00 hs.
“José Zartmann y la Danza Española”
Director: Mtro. José Zartmann

ENTRADA GRATUITA

Auditorio "Prof. Juan A. Arévalo" - Viamonte 1549 -6° Piso - Ciudad de Buenos Aires

Desde ya, muchas gracias.

Atte.

Sandra G. Mattesco
Cultura

¡Fiesta de swing el 11 de octubre con la Louisiana Jazz Band!

Happy Feet jueves, 02 de octubre de 2008 10:48
Novedades Happy Feet - ¡Fiesta de swing el 11 de octubre con la Louisiana Jazz Band!

Ana Luz Crespi
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OCTUBRE 2008 /// swing en buenos aires
///FIESTA HAPPY FEET///
FIESTA DE BAILE DE SWING Y JAZZ

///SÁBADO 11 DE OCTUBRE - 22 HS - SARMIENTO 1272///

UNA NOCHE A PURO SWING!

con la presencia exclusiva de...
*LOUISIANA JAZZ BAND*
JAZZ TRADICIONAL DE NUEVA ORLEANS DE LOS AÑOS '20

dj invitado /// JOSE ZARAZAGA*

tanda especial··· FATS WALLER

*find your happy feet!
EL QUE BAILA CON MÁS GENTE GANA! ··· encontrá a tus parejas en la pista y ganá!

"CULTURAL BUEN AYRE", SARMIENTO 1272, CAPITAL FEDERAL.
El horario de comienzo de la fiesta es a las 22 hs. y finaliza a las 5:00 hs.
Para reservar mesa enviar un mail con el asunto "Reserva de mesa" a .
Las reservas se mantendrán hasta que comience a tocar la orquesta y la reserva será efectiva una vez que reciban el mail de confirmación de la misma.
La orquesta comezará a tocar a las 22:30 hs. puntual y se puede cenar en el salón.

El valor de la entrada es de $20.

¡Los esperamos!

Happy Feet
Keep on swingin'!
happy-feet.com.ar

¿Qué es el swing?
El swing (o lindy hop) es un estilo de baile de origen afroamericano nacido en los años '20 en Harlem, Nueva York, que se bailaba al ritmo de las big bands de la época en los salones de baile. Tuvo su auge entre finales de los años '20 y principio de los años '40. Luego de ese período su popularidad disminuyó hasta que en los años '80 un grupo de jóvenes entusiastas del jazz y del baile inició una etapa de renacimiento del swing que se desarrolla desde entonces alrededor del mundo.

En Buenos Aires hay alrededor de 200 bailarines de swing que, inspirados en el jazz, en la contagiosa energia del baile y el estilo de la época, dan vida a una movida increíble que crece cada día más.

Videos!
youtube.com/watch?v=SHcBYGN-3uM
youtube.com/watch?v=uUwZr9dIGqo
youtube.com/watch?v=kKPw9_BZgSE
youtube.com/watch?v=_G7MpPL-U64

Louisiana Jazz Band
usuarios.sion.com/jbenito/jazz/ljb.htm

Tatiana Schiel y acompañante haciendo el pasito del Swing
El mismo pasito por Fred Astaire y Ginger Rogers en "Swing Time".
Tatiana Schiel y acompañante haciendo el pasito del Swing
El mismo pasito por Fred Astaire y Ginger Rogers en "Swing Time".

-Bailador ! ¿ Nos vemos ?

El Gato Está Feliz de Salir en Una Página Web (Pablo Di Masso)

jueves, 02 de octubre de 2008 15:28
Re: Solicitar Permiso

Pablo Di Masso

Pablo Di Masso
EL GATO ESPERA
2006
10 x 15 cm
Pablo Di Masso
EL GATO ESPERA
2006
10 x 15 cm
pablodimasso.com.ar

El gato, harto de esperar, está feliz de salir en una página web... aunque nadie le abra la puerta. Salute.

Gracias Pablo. Celebramos contribuir a la felicidad del gato !

Fontainebleau Miami Beach

Economía Para Todos, Revista Virtual InteractivaPublicada 02/10/2008
Turismo / Carlos Mira

Carlos Mira

El Fontainebleau Miami Beach recupera su lugar

Su afamada arquitectura, renombrados chefs y una sensual vida nocturna redefinen el encanto de este hotel a medida que el centro turístico y recreativo encabeza una nueva era.

...

economiaparatodos.com.ar/ver_n ... a.php?nota=2278

Links:

Link: fontainebleau.com/gcm/nar/en-u ... /home/index.htm

southbeachluxuryhotels.com/Fon ... ami-Beach.shtml

Fontainebleau Miami Beach Fontainebleau Miami Beach Fontainebleau Miami Beach

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Fontainebleau Miami Beach Fontainebleau Miami Beach Fontainebleau Miami Beach Fontainebleau Miami Beach Fontainebleau Miami Beach Fontainebleau Miami Beach

Nuevo Curso Junto a Adrián Andreani (Claudio Monteros)

miércoles, 01 de octubre de 2008 09:54
Domingo 5 y Jueves 9

Claudio Monteros

Hola como estás?

Esta finde seguimos con las Jornadas, y el Jueves iniciamos un nuevo curso; para que te capacites y disfrutes, justo a Adrian Andreani

Realmente imperdibles

Te espero, un beso.

Gracias por acompañarme siempre.

Claudio

Nuevo Curso Junto a Adrián Andreani (Claudio Monteros)
Nuevo Curso Junto a Adrián Andreani (Claudio Monteros)

Torneo Tango GCBA, Anduvimos Cerquita (Enrique Carmona)

martes, 30 de septiembre de 2008 13:44
torneo tango mayores gcba 2008

Enrique Carmona

ESTIMADO AUGUSTO: TE CUENTO QUE CON MARIA DEL CARMEN ROMERO GANAMOS EL 2º PUESTO DE TANGO DE LOS JUEGOS MAYORES DE LA CIUDAD ORGANIZADOS POR EL G.C.B.AIRES 2008. ANDUVIMOS CERQUITA, SE REALIZO EN EL CLUB ITALIANO EL 25 DE SEPTIEMBRE ANTE 300 PERSONAS Y COMPETIMOS CON 14 PAREJAS FINALISTAS DE LOS DISTINTOS GCP DE LA CIUDAD.TE ADJUNTO 3 FOTOS DEL EVENTO. EN UNA ESTAMOS CON NUESTRO PROFE EDUARDO MICHELI.- UN ABRAZO.- ENRIQUE CARMONA.-

Bravo Enrique ! Felicitaciones María del Carmen !

Défilé Dior P-A-P, Printemps-été, 2009, Prêt-à-porter

miércoles, 24 de septiembre de 2008 01:07
La lettre d'info du figaro

Le Figaro. Fr

Défilé Dior P-A-P, Printemps-été, 2009, Prêt-à-porter

madame.lefigaro.fr/mode/defile ... dior/collection

Dior_rs9_0013a Dior_rs9_0025a

Défilé Dior P-A-P, Printemps-été, 2009, Prêt-à-porter

Link: dior.com/pcd/International/JSP ... rehomeFlash.jsp

imagen

mavienvogue.blogspot.com/2008/ ... -institute.html

Vintage Film Poster

Yellow Submarine
1968, King Features, British quad -- 30x40in. (76x102cm.), (A-)
Art by Heinz Edelman
Yellow Submarine
1968, King Features, British quad -- 30x40in. (76x102cm.), (A-)
Art by Heinz Edelman [fuente]
christies.com/LotFinder/lot_de ... bjectID=5116118

Price Realized
£1,000 ($1,790)
Estimate
£800 - £1,200 ($1,436 - $2,154)
Sale Information
Sale 5424
Vintage Film Posters
17 September 2008
London, South Kensington

El Logotipo de Hoy

[Photograph: Tristram Kenton]
Les Ballets Trockadero de Monte Carlo are at the Peacock theatre, September 16 to October 4 2008
Photograph: Tristram Kenton
Les Ballets Trockadero de Monte Carlo are at the Peacock theatre, September 16 to October 4 2008 [fuente]
guardian.co.uk/stage/gallery/2 ... cture=337700422

Coplita

Si me querís, mi vidita,
haceme una seña cierta,
para que cuando yo vaya
halle tus puertas abiertas.

Fuente:
Jorge M. Furt
Cancionero Popular Rioplatense: Lírica Gauchesca Tomo II
Alicante : Biblioteca Virtual Miguel de Cervantes, 2003
Edición digital basada en la de Buenos Aires, Imprenta y Casa Editora "Coni", 1925.
cervantesvirtual.com/servlet/S ... 91/p0000007.htm
[2072 (Santiago del Estero)]

Imágenes de Salida

National Gallery of Art, 4th and Constitution Avenue NW, Washington, D.C.

Henri de Toulouse-Lautrec
French, 1864 - 1901
/ Auguste Clot (printer)
French, 1858 - 1936
Woman in Corset (Femme en corset), 1896
4-color lithograph
image: 52.4 x 40.3 cm (20 5/8 x 15 7/8 in.) sheet: 52.4 x 40.3 cm (20 5/8 x 15 7/8 in.)
Rosenwald Collection
1947.7.152
Henri de Toulouse-Lautrec
French, 1864 - 1901
/ Auguste Clot (printer)
French, 1858 - 1936
Woman in Corset (Femme en corset), 1896
4-color lithograph
image: 52.4 x 40.3 cm (20 5/8 x 15 7/8 in.) sheet: 52.4 x 40.3 cm (20 5/8 x 15 7/8 in.)
Rosenwald Collection
1947.7.152 [fuente]
nga.gov/fcgi-bin/tinfo_f?object=33910

Christie's, 01 October 2008

JOAN MIRO
The Seers: one plate (M. 666)
lithograph in colors, 1970, on Rives watermark LB, signed in pencil, numbered 51/75 (there was a further edition of fifteen in Roman numerals plus 15 hors commerce), with full (narrow) margins, in very good condition, framed
L. 24¾ x 19¼ in. (629 x 489 mm.)
S. 25¾ x 20 in. (654 x 508 mm.)
JOAN MIRO
The Seers: one plate (M. 666)
lithograph in colors, 1970, on Rives watermark LB, signed in pencil, numbered 51/75 (there was a further edition of fifteen in Roman numerals plus 15 hors commerce), with full (narrow) margins, in very good condition, framed
L. 24¾ x 19¼ in. (629 x 489 mm.)
S. 25¾ x 20 in. (654 x 508 mm.) [fuente]
christies.com/LotFinder/lot_de ... bjectID=5062993

Price Realized
$15,000
Estimate
$6,000 - $8,000
Sale Information
Sale 1990
Prints And Multiples
29 - 30 April 2008
New York, Rockefeller Plaza

Arte al Dia Internacional, 15 de Noviembre de 2007 Newsletter semanal artealdia.com
EL SITIO RECOMENDADO pablodimasso.com.ar

Pablo Di Masso
EL GATO ESPERA
2006
10 x 15 cm
Pablo Di Masso
EL GATO ESPERA
2006
10 x 15 cm
pablodimasso.com.ar

THE NEW YORK TIMES 01 AUGUST 2008
Art Review | 'Kirchner and the Berlin Street'

[Photo: Von der Heydt-Museum, Wuppertal, Germany/Ingeborg and Dr. Wolfgang Henze-Ketterer, Wichtrach, Bern]
Ernst Ludwig Kirchner
“Berlin Street Scene” (1914)
/ In retrospect it is impossible not to read the anxious urban vision of Kirchner’s Berlin paintings in light of the approaching war. Our knowledge of what was to come gives them a giddy, edge-of-the-volcano excitement and a prophetic urgency.
Photo: Von der Heydt-Museum, Wuppertal, Germany/Ingeborg and Dr. Wolfgang Henze-Ketterer, Wichtrach, Bern
Ernst Ludwig Kirchner
“Berlin Street Scene” (1914)
/ In retrospect it is impossible not to read the anxious urban vision of Kirchner’s Berlin paintings in light of the approaching war. Our knowledge of what was to come gives them a giddy, edge-of-the-volcano excitement and a prophetic urgency. [fuente]
nytimes.com/slideshow/2008/08/ ... 1-BERLIN_9.html

THE NEW YORK TIMES, 03 SEPTEMBER 2008
Degas’ Dancers, Revisited

[Photo: Librado Romero/The New York Times]
Edgar Degas,
“Dancer Looking at the Sole of Her Right Foot.”
Photo: Librado Romero/The New York Times
Edgar Degas,
“Dancer Looking at the Sole of Her Right Foot.” [fuente]
nytimes.com/slideshow/2008/09/ ... LIDESHOW_5.html

Degas paintings and sculptures are in the 19th-century European galleries of the Metropolitan Museum of Art; (212) 535-7710 or metmuseum.org.

THE NEW YORK TIMES, 19 SEPTEMBER 2008
Van Gogh at the Modern

[Photo: Kroler-Muller Museum, The Netherlands]
“Landscape with Wheat Sheaves and Rising Moon” (1889)
/ Van Gogh discovered new colors everywhere, and especially at night. Peripatetically, briefly yet fulsomely, this little show explores his special relationship with darkness. It provides a view of the tenderness, urgency and brilliance at the core of his art, as well as the openness to nature that set it aflame.
Photo: Kroler-Muller Museum, The Netherlands
“Landscape with Wheat Sheaves and Rising Moon” (1889)
/ Van Gogh discovered new colors everywhere, and especially at night. Peripatetically, briefly yet fulsomely, this little show explores his special relationship with darkness. It provides a view of the tenderness, urgency and brilliance at the core of his art, as well as the openness to nature that set it aflame. [fuente]
nytimes.com/slideshow/2008/09/ ... 919-GOGH_2.html

THE NEW YORK TIMES 02 OCTOBER 2008
Paris/New York at Museum of the City of New York

[Photo: Worsincer/Museum of The City of New York]
A 1933 window display devoted to American designers at Lord & Taylor in Manhattan.
Photo: Worsincer/Museum of The City of New York
A 1933 window display devoted to American designers at Lord & Taylor in Manhattan. [fuente]
nytimes.com/slideshow/2008/10/ ... PARI_index.html

Roberta Smith writes:
People fall in love with Paris all the time. In different eras, whole cities seem to have come under its spell. One of the hottest romances flared between New York and Paris in the 1920s and ’30s, when French Art Deco was the style, American jazz was the music and the feelings were intensely mututal.

“Paris/New York: Design Fashion Culture, 1925-1940” is at the Museum of the City of New York, 1220 Fifth Avenue at 103rd Street, (212) 534-1672, mcny.org, through Feb. 22.

THE NEW YORK SUN, 03 OCTOBER 2003

[JEFFREY AARONSON/KASHYA HILDEBRAND GALLERY]
/ REFLECTING NEW YORK In the exhibit ‘Subconscious City,’ photographer Jeffrey Aaronson captures the color, chaos, and majesty of Manhattan. Above, ‘Dino’s Parking Garage’ (2002).
JEFFREY AARONSON/KASHYA HILDEBRAND GALLERY
/ REFLECTING NEW YORK In the exhibit ‘Subconscious City,’ photographer Jeffrey Aaronson captures the color, chaos, and majesty of Manhattan. Above, ‘Dino’s Parking Garage’ (2002). [fuente]

LOS ANGELES TIMES, 06 OCTOBER 2008

[AFP/Getty Images)]
Madonna: Reinvention, or just savvy?
AFP/Getty Images)
Madonna: Reinvention, or just savvy? [fuente]
latimes.com/entertainment/news ... gallery?index=1

Victoria and Albert Museum, E-Newsletter,
07 de Octubre de 2008

Gerhard Richter
4900 Colours: Version II, 2007
Enamel paint on Aludibond
49 Panels, each 97 × 97 cm
[La Collection de la Fondation Louis Vuitton pour la création © 2008 Gerhard Richter]
Gerhard Richter
4900 Colours: Version II, 2007
Enamel paint on Aludibond
49 Panels, each 97 × 97 cm
La Collection de la Fondation Louis Vuitton pour la création © 2008 Gerhard Richter [fuente]
serpentinegallery.org/2008/06/ ... colours_ve.html

TheatreDance.comChau!, nos vemos en Geba !