Imágenes de Salida

National Gallery of Art, 4th and Constitution Avenue NW, Washington, D.C.

Henri de Toulouse-Lautrec
French, 1864 - 1901
/ Auguste Clot (printer)
French, 1858 - 1936
Woman in Corset (Femme en corset), 1896
4-color lithograph
image: 52.4 x 40.3 cm (20 5/8 x 15 7/8 in.) sheet: 52.4 x 40.3 cm (20 5/8 x 15 7/8 in.)
Rosenwald Collection
1947.7.152
Henri de Toulouse-Lautrec
French, 1864 - 1901
/ Auguste Clot (printer)
French, 1858 - 1936
Woman in Corset (Femme en corset), 1896
4-color lithograph
image: 52.4 x 40.3 cm (20 5/8 x 15 7/8 in.) sheet: 52.4 x 40.3 cm (20 5/8 x 15 7/8 in.)
Rosenwald Collection
1947.7.152 [fuente]
nga.gov/fcgi-bin/tinfo_f?object=33910

Christie's, 01 October 2008

JOAN MIRO
The Seers: one plate (M. 666)
lithograph in colors, 1970, on Rives watermark LB, signed in pencil, numbered 51/75 (there was a further edition of fifteen in Roman numerals plus 15 hors commerce), with full (narrow) margins, in very good condition, framed
L. 24¾ x 19¼ in. (629 x 489 mm.)
S. 25¾ x 20 in. (654 x 508 mm.)
JOAN MIRO
The Seers: one plate (M. 666)
lithograph in colors, 1970, on Rives watermark LB, signed in pencil, numbered 51/75 (there was a further edition of fifteen in Roman numerals plus 15 hors commerce), with full (narrow) margins, in very good condition, framed
L. 24¾ x 19¼ in. (629 x 489 mm.)
S. 25¾ x 20 in. (654 x 508 mm.) [fuente]
christies.com/LotFinder/lot_de ... bjectID=5062993

Price Realized
$15,000
Estimate
$6,000 - $8,000
Sale Information
Sale 1990
Prints And Multiples
29 - 30 April 2008
New York, Rockefeller Plaza

Arte al Dia Internacional, 15 de Noviembre de 2007 Newsletter semanal artealdia.com
EL SITIO RECOMENDADO pablodimasso.com.ar

Pablo Di Masso
EL GATO ESPERA
2006
10 x 15 cm
Pablo Di Masso
EL GATO ESPERA
2006
10 x 15 cm
pablodimasso.com.ar

THE NEW YORK TIMES 01 AUGUST 2008
Art Review | 'Kirchner and the Berlin Street'

[Photo: Von der Heydt-Museum, Wuppertal, Germany/Ingeborg and Dr. Wolfgang Henze-Ketterer, Wichtrach, Bern]
Ernst Ludwig Kirchner
“Berlin Street Scene” (1914)
/ In retrospect it is impossible not to read the anxious urban vision of Kirchner’s Berlin paintings in light of the approaching war. Our knowledge of what was to come gives them a giddy, edge-of-the-volcano excitement and a prophetic urgency.
Photo: Von der Heydt-Museum, Wuppertal, Germany/Ingeborg and Dr. Wolfgang Henze-Ketterer, Wichtrach, Bern
Ernst Ludwig Kirchner
“Berlin Street Scene” (1914)
/ In retrospect it is impossible not to read the anxious urban vision of Kirchner’s Berlin paintings in light of the approaching war. Our knowledge of what was to come gives them a giddy, edge-of-the-volcano excitement and a prophetic urgency. [fuente]
nytimes.com/slideshow/2008/08/ ... 1-BERLIN_9.html

THE NEW YORK TIMES, 03 SEPTEMBER 2008
Degas’ Dancers, Revisited

[Photo: Librado Romero/The New York Times]
Edgar Degas,
“Dancer Looking at the Sole of Her Right Foot.”
Photo: Librado Romero/The New York Times
Edgar Degas,
“Dancer Looking at the Sole of Her Right Foot.” [fuente]
nytimes.com/slideshow/2008/09/ ... LIDESHOW_5.html

Degas paintings and sculptures are in the 19th-century European galleries of the Metropolitan Museum of Art; (212) 535-7710 or metmuseum.org.

THE NEW YORK TIMES, 19 SEPTEMBER 2008
Van Gogh at the Modern

[Photo: Kroler-Muller Museum, The Netherlands]
“Landscape with Wheat Sheaves and Rising Moon” (1889)
/ Van Gogh discovered new colors everywhere, and especially at night. Peripatetically, briefly yet fulsomely, this little show explores his special relationship with darkness. It provides a view of the tenderness, urgency and brilliance at the core of his art, as well as the openness to nature that set it aflame.
Photo: Kroler-Muller Museum, The Netherlands
“Landscape with Wheat Sheaves and Rising Moon” (1889)
/ Van Gogh discovered new colors everywhere, and especially at night. Peripatetically, briefly yet fulsomely, this little show explores his special relationship with darkness. It provides a view of the tenderness, urgency and brilliance at the core of his art, as well as the openness to nature that set it aflame. [fuente]
nytimes.com/slideshow/2008/09/ ... 919-GOGH_2.html

THE NEW YORK TIMES 02 OCTOBER 2008
Paris/New York at Museum of the City of New York

[Photo: Worsincer/Museum of The City of New York]
A 1933 window display devoted to American designers at Lord & Taylor in Manhattan.
Photo: Worsincer/Museum of The City of New York
A 1933 window display devoted to American designers at Lord & Taylor in Manhattan. [fuente]
nytimes.com/slideshow/2008/10/ ... PARI_index.html

Roberta Smith writes:
People fall in love with Paris all the time. In different eras, whole cities seem to have come under its spell. One of the hottest romances flared between New York and Paris in the 1920s and ’30s, when French Art Deco was the style, American jazz was the music and the feelings were intensely mututal.

“Paris/New York: Design Fashion Culture, 1925-1940” is at the Museum of the City of New York, 1220 Fifth Avenue at 103rd Street, (212) 534-1672, mcny.org, through Feb. 22.

THE NEW YORK SUN, 03 OCTOBER 2003

[JEFFREY AARONSON/KASHYA HILDEBRAND GALLERY]
/ REFLECTING NEW YORK In the exhibit ‘Subconscious City,’ photographer Jeffrey Aaronson captures the color, chaos, and majesty of Manhattan. Above, ‘Dino’s Parking Garage’ (2002).
JEFFREY AARONSON/KASHYA HILDEBRAND GALLERY
/ REFLECTING NEW YORK In the exhibit ‘Subconscious City,’ photographer Jeffrey Aaronson captures the color, chaos, and majesty of Manhattan. Above, ‘Dino’s Parking Garage’ (2002). [fuente]

LOS ANGELES TIMES, 06 OCTOBER 2008

[AFP/Getty Images)]
Madonna: Reinvention, or just savvy?
AFP/Getty Images)
Madonna: Reinvention, or just savvy? [fuente]
latimes.com/entertainment/news ... gallery?index=1

Victoria and Albert Museum, E-Newsletter,
07 de Octubre de 2008

Gerhard Richter
4900 Colours: Version II, 2007
Enamel paint on Aludibond
49 Panels, each 97 × 97 cm
[La Collection de la Fondation Louis Vuitton pour la création © 2008 Gerhard Richter]
Gerhard Richter
4900 Colours: Version II, 2007
Enamel paint on Aludibond
49 Panels, each 97 × 97 cm
La Collection de la Fondation Louis Vuitton pour la création © 2008 Gerhard Richter [fuente]
serpentinegallery.org/2008/06/ ... colours_ve.html